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Monday, June 5, 2017

Hunting fake news (2)

“You furnish the pictures, I’ll provide the war.” – William Randolph Hearst, New York World owner
HERE’S the second and last installment of my series on hunting fake news. Purveyors of fake news almost usually also post accompanying fake photos to further bolster the “legitimacy” of their stories.
Fake photos?! It’s hard to imagine, right? It’s because you would think photographs are precise representations of events. Well, unless you’ve been hiding under a rock in the last decade, photographs can be manipulated.
However, in this age of photoshop and other digital photo manipulation applications, you might find it surprising that photo manipulation is not actually new.
It has been said that a picture is worth a thousand words. It means photographs evoke emotions faster than an article can because it is, after all, visual. You don’t need to read anything. You just look at it and wham–emotions start to flow.
The quote above is an actual reply of Hearst to a cable message of his illustrator assigned in Cuba in 1897, Frederic Remington.
Hearst, for reasons only known to him, had wanted to ignite a war between the US and Spain. Cuba at that time had an insurrection against its Spanish colonizers. However, Remington cabled Hearst: “Everything quiet. There is no trouble here (Cuba). There will be no war. Wish to return.”
So when USS Maine exploded in Havana Harbor less than three weeks since the cable message exchange, Remington illustrated the boat as it sank. Hearst wasted no time in using the illustration to foment war between the US and Spain. This was reflected in a phrase he popularized in his newspaper, New York World, “Remember the Maine, to hell with Spain!”
Spain had nothing to do with the sinking of USS Maine but Hearst made it appear in his articles that it was result of a direct attack of Spain against American forces.
Within three months, the Spanish-American war was raging hard. The Philippines, being a Spanish colony that time, had to be “conquered” by the US as spoils of that war. After that war, the US became a global power to contend with and ended Spain’s old-brand of imperialism.
In a way, bad journalism–in this instance, a fake photo–was the reason why the Philippines was colonized by the US. By the way, a small digression if you will. Hearst was caricatured best in Orson Welles’ magnum opus “Citizen Kane.”
It would have been dramatic that the “new world” conquered the “old world” except that because the war was fueled by a fake photo, it was nothing short of tragic.
Talking of tragic, here in the Philippines now, no less than the government’s communication team has joined in purveying fake news and photos.
The Philippine News Agency posted a story on how the military is having difficulty with close quarter battle in flushing out the Maute Group from Marawi City. I knew the correspondent who wrote the article, so I believed the article. However, the editors, in their incomprehensible wisdom, posted an accompanying photo of an American G.I. patrolling the hinterlands of Vietnam.
Not to be left behind, newly appointed Presidential Communications Operations Office Assistant Secretary Margaux “Mocha” Uson posted a photo of the Honduran police on their knees praying in the hopes of rallying support for government troops who are currently fighting the Maute Group in Marawi City.
When the fake photo was pointed out, Uson brushed off criticisms by saying the photo was mere symbolism of the point she was making or a “representative photo.” Well, I wouldn’t be surprised if her succeeding blogs will not carry any titles–she is already entitled.
They have since taken down the photo and issued an erratum of sorts.
As for my colleagues in media, either they be in private or government employ, I have this to say: If we keep on repeating the same mistakes in a chosen field for a considerable length of time then maybe it’s time to seriously consider another craft or trade. You’re not contributing to the well-being of the planet and your species.
Now that we have the history of fake photos out of the way, let’s discuss how to hunt for fake photos on social media platforms.
But before we discuss knowing what to look for in fake photos, I’d like first to discuss how photos are being faked.
  1. Drawing or staging. Unlike studio or glam photography, photojournalists are not supposed to be “directing” a crime scene. The photo should be an accurate depiction of what happened. I have witnessed this once. A photojournalist, at he was back then, asked one of the protesters in a rally to move closer to where he was standing so he could capture a more “provocative” frame. This practice, by the way, is frowned upon by professional photojournalists.
  2. Post production alterations. This is where photoshop or other photo editing apps comes in. Sometimes photojournalists would think a column of smoke from a burning building isn’t quite fluffy or big enough they’d clone that column of smoke and paste it on the same frame. There have been times also when photojournalists introduce another subject from an old photo and pass it off as one frame.
  3. Inaccurate captioning. It’s quite unfortunate that people in this administration’s communication team have been fooling us with foreign photos with inaccurate captioning, as what we have been witnessing lately. We have also seen our “friends” on Facebook posting photos of bomb victims in the past and captioned it as happening (read: ATM) currently in Marawi City. As in news articles, the captioning the real date of when the photo was captured is also of the same import.
You can also always use Google’s “image search” feature if there’s something suspicious about a photo. I used this in the Vietnam war photo PNA used to pass off as happening in Marawi City. I felt the photo was so familiar but could not put my finger on it. So, I downloaded the photo, fed that photo in Google’s image search, and voila–it was a photo of an American G.I. patrolling the hinterlands of Vietnam.
If the photo is sent to you via email, you can check the details of the photo by accessing its metafile data. You access this by right-clicking the photo’s thumbnail in your file browser. A dialogue box will pop out. Left click on properties.
So, in spotting a fake photo you need to inspect the following:
  1. Shadows. I summarize photography as the art of taming shadows and light. Look for inconsistencies in the subjects’ shadow in the photo. For example, if the shadow of a man in the photo is leaning at a 45 degree angle, every thing else in the frame should have the same 45 degree angle-leaning shadows.
  2. Light source. Inversely from shadows, the light source of the whole frame should be global. The bounce of the light source on the subjects in the frame should be consistent with the shadows these set. This means the light source should be at the opposite end of the subject’s shadow.
  3. Discoloration. This usually happens when a subject introduced to a photo is a clone of a subject from a different photo. If you can see discoloration on the edges of a subject in a photo (read: inconsistent color from the main frame), chances are the photo has been manipulated with a photo editing software.
  4. Pixilation. This is akin to the presence of discoloration in a photo, except that instead of color inconsistency there’s inconsistency in pixels of the photo. This happens when the photo editor clones a subject from a different photo and placing it on a new photo without considering the image size (read: dots per inch or pixels per inch) of the photo the photo editor cloned it from.
Now that you know how to distinguish fake news and photos from the real ones, you might ask what am I to do with this new skill. You need to call fake news and photos out. As for those who are share-a-holics: Always check and verify what you share on your wall.
Like the fair warning I posted on my wall weeks ago, I warned friends, relatives, acquaintances, and colleagues that I will be more aggressive in pointing out shared fake news and photos on my Facebook account. I will screen-capture any friend’s post sharing a fake news, and post it with a stamp “Fake News.” Plus, I blocked their accounts from mine.
It’s all worth it, I promise you. Ever since I amped up my hunting for fake news and photos on my Facebook account and called these out for the garbage that they are, the news feeds on my wall have starkly improved.
There are no more fake news except for sporadic trolling on the threads of my posts and a deluge of friends and message requests. But, hey, don’t forget you have full control of your social media account. Like I said in my post: Good luck with that. I don’t [expletive] know you.
Now, I’m enjoying Facebook again.

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