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Monday, June 12, 2017

‘Facebooking’

ABOUT a fortnight ago, a Facebook group account, Duterte Today, screen grabbed my post and shared this on its wall. For a Kagay-anon to be trolled by somebody from Metro Davao, I must say is quite flattering.
I had posted my usual mundane satirical post after aggressively hunting fake news articles and photos, which has been this administration’s hallmark by the way.
Anyway, I posted: “There has been a deluge of friend and message requests ever since I amped up my fake news hunting. Good luck with that. I don’t ****ing know you. Pfft.”
Duterte Today captioned its screen grab of my post with: “Char. Swerte mo nga umabot 15 likes post mo this time.”
It’s fine because I set the post to public, anyway. Also, the Duterte Today page has a username of @indaysara. If that is not flattering I don’t know what is.
Of course, I don’t think Davao City’s mayor and presidential daughter has got something to do about the troll-like screen grabbing but you have to appreciate the “down time” the people of Davao are paying for this kind of sophomoric social media attack.
I chided a friend in Davao for their city information office for having too much time on its hands while on the people’s employ. The asswipe must be reeling with its/his/her newfound power.
Sorry for the digression. What I really wanted to say is that the incident made me think of the past (cue in: harp)–when I joined Facebook, what I expected to get out of it and what it has become.
Have I, indeed, turned into a “like whore?” Have I let my Facebook account define the person I am supposed to be in real-time? Did I let my inert psychological need to belong rule over what I really am?
All these questions pushed me to look back into my Facebook history, hoping to find some answers or at least clues to the person I really am.
I first joined the Facebook social networking site in 2008. Yes. When Mark Zuckerberg, Dustin Moskovitz, Chris Hughes, and Eduardo Saverin launched Facebook in 2004, it wasn’t called a social media platform yet. They meant Facebook to be about connecting people across the globe.
My circle of real-time friends then were still agog over Friendster. They thought it weird for me then to invite them to Facebook. Before that, I used Mirabilis’ ICQ social network.
It was really fun connecting with friends and relatives abroad or from across the country. We exchanged photos of how we look like at the moment.
However, all of that changed when Facebook became a weaponized voyeur’s instrument. It started with “lurker” accounts. People made a different account and followed the same people in their original account just so they could “lurk” on their friends. And when the 2010 elections came, lurker accounts became troll accounts. The rest, as the old cliche goes, is history.
But I will continue my presence in Facebook. I have been using it to vent my frustrations on–not for likes, mind you. It has become a sort of real-time, online, journal for me.
So, do I feel slighted with the Duterte Today screen grab? No, because I think we have different perspectives and agenda when it comes to going online.
To my dear readers (yes, all 243 of you), if you are also a Facebook friend, following, or even lurking me online please understand that you are in no way obliged to like, comment, or do anything. What I post on my wall is an expression.
It’s really nothing personal. It’s not about you.
It’s just me.

Monday, June 5, 2017

Hunting fake news (2)

“You furnish the pictures, I’ll provide the war.” – William Randolph Hearst, New York World owner
HERE’S the second and last installment of my series on hunting fake news. Purveyors of fake news almost usually also post accompanying fake photos to further bolster the “legitimacy” of their stories.
Fake photos?! It’s hard to imagine, right? It’s because you would think photographs are precise representations of events. Well, unless you’ve been hiding under a rock in the last decade, photographs can be manipulated.
However, in this age of photoshop and other digital photo manipulation applications, you might find it surprising that photo manipulation is not actually new.
It has been said that a picture is worth a thousand words. It means photographs evoke emotions faster than an article can because it is, after all, visual. You don’t need to read anything. You just look at it and wham–emotions start to flow.
The quote above is an actual reply of Hearst to a cable message of his illustrator assigned in Cuba in 1897, Frederic Remington.
Hearst, for reasons only known to him, had wanted to ignite a war between the US and Spain. Cuba at that time had an insurrection against its Spanish colonizers. However, Remington cabled Hearst: “Everything quiet. There is no trouble here (Cuba). There will be no war. Wish to return.”
So when USS Maine exploded in Havana Harbor less than three weeks since the cable message exchange, Remington illustrated the boat as it sank. Hearst wasted no time in using the illustration to foment war between the US and Spain. This was reflected in a phrase he popularized in his newspaper, New York World, “Remember the Maine, to hell with Spain!”
Spain had nothing to do with the sinking of USS Maine but Hearst made it appear in his articles that it was result of a direct attack of Spain against American forces.
Within three months, the Spanish-American war was raging hard. The Philippines, being a Spanish colony that time, had to be “conquered” by the US as spoils of that war. After that war, the US became a global power to contend with and ended Spain’s old-brand of imperialism.
In a way, bad journalism–in this instance, a fake photo–was the reason why the Philippines was colonized by the US. By the way, a small digression if you will. Hearst was caricatured best in Orson Welles’ magnum opus “Citizen Kane.”
It would have been dramatic that the “new world” conquered the “old world” except that because the war was fueled by a fake photo, it was nothing short of tragic.
Talking of tragic, here in the Philippines now, no less than the government’s communication team has joined in purveying fake news and photos.
The Philippine News Agency posted a story on how the military is having difficulty with close quarter battle in flushing out the Maute Group from Marawi City. I knew the correspondent who wrote the article, so I believed the article. However, the editors, in their incomprehensible wisdom, posted an accompanying photo of an American G.I. patrolling the hinterlands of Vietnam.
Not to be left behind, newly appointed Presidential Communications Operations Office Assistant Secretary Margaux “Mocha” Uson posted a photo of the Honduran police on their knees praying in the hopes of rallying support for government troops who are currently fighting the Maute Group in Marawi City.
When the fake photo was pointed out, Uson brushed off criticisms by saying the photo was mere symbolism of the point she was making or a “representative photo.” Well, I wouldn’t be surprised if her succeeding blogs will not carry any titles–she is already entitled.
They have since taken down the photo and issued an erratum of sorts.
As for my colleagues in media, either they be in private or government employ, I have this to say: If we keep on repeating the same mistakes in a chosen field for a considerable length of time then maybe it’s time to seriously consider another craft or trade. You’re not contributing to the well-being of the planet and your species.
Now that we have the history of fake photos out of the way, let’s discuss how to hunt for fake photos on social media platforms.
But before we discuss knowing what to look for in fake photos, I’d like first to discuss how photos are being faked.
  1. Drawing or staging. Unlike studio or glam photography, photojournalists are not supposed to be “directing” a crime scene. The photo should be an accurate depiction of what happened. I have witnessed this once. A photojournalist, at he was back then, asked one of the protesters in a rally to move closer to where he was standing so he could capture a more “provocative” frame. This practice, by the way, is frowned upon by professional photojournalists.
  2. Post production alterations. This is where photoshop or other photo editing apps comes in. Sometimes photojournalists would think a column of smoke from a burning building isn’t quite fluffy or big enough they’d clone that column of smoke and paste it on the same frame. There have been times also when photojournalists introduce another subject from an old photo and pass it off as one frame.
  3. Inaccurate captioning. It’s quite unfortunate that people in this administration’s communication team have been fooling us with foreign photos with inaccurate captioning, as what we have been witnessing lately. We have also seen our “friends” on Facebook posting photos of bomb victims in the past and captioned it as happening (read: ATM) currently in Marawi City. As in news articles, the captioning the real date of when the photo was captured is also of the same import.
You can also always use Google’s “image search” feature if there’s something suspicious about a photo. I used this in the Vietnam war photo PNA used to pass off as happening in Marawi City. I felt the photo was so familiar but could not put my finger on it. So, I downloaded the photo, fed that photo in Google’s image search, and voila–it was a photo of an American G.I. patrolling the hinterlands of Vietnam.
If the photo is sent to you via email, you can check the details of the photo by accessing its metafile data. You access this by right-clicking the photo’s thumbnail in your file browser. A dialogue box will pop out. Left click on properties.
So, in spotting a fake photo you need to inspect the following:
  1. Shadows. I summarize photography as the art of taming shadows and light. Look for inconsistencies in the subjects’ shadow in the photo. For example, if the shadow of a man in the photo is leaning at a 45 degree angle, every thing else in the frame should have the same 45 degree angle-leaning shadows.
  2. Light source. Inversely from shadows, the light source of the whole frame should be global. The bounce of the light source on the subjects in the frame should be consistent with the shadows these set. This means the light source should be at the opposite end of the subject’s shadow.
  3. Discoloration. This usually happens when a subject introduced to a photo is a clone of a subject from a different photo. If you can see discoloration on the edges of a subject in a photo (read: inconsistent color from the main frame), chances are the photo has been manipulated with a photo editing software.
  4. Pixilation. This is akin to the presence of discoloration in a photo, except that instead of color inconsistency there’s inconsistency in pixels of the photo. This happens when the photo editor clones a subject from a different photo and placing it on a new photo without considering the image size (read: dots per inch or pixels per inch) of the photo the photo editor cloned it from.
Now that you know how to distinguish fake news and photos from the real ones, you might ask what am I to do with this new skill. You need to call fake news and photos out. As for those who are share-a-holics: Always check and verify what you share on your wall.
Like the fair warning I posted on my wall weeks ago, I warned friends, relatives, acquaintances, and colleagues that I will be more aggressive in pointing out shared fake news and photos on my Facebook account. I will screen-capture any friend’s post sharing a fake news, and post it with a stamp “Fake News.” Plus, I blocked their accounts from mine.
It’s all worth it, I promise you. Ever since I amped up my hunting for fake news and photos on my Facebook account and called these out for the garbage that they are, the news feeds on my wall have starkly improved.
There are no more fake news except for sporadic trolling on the threads of my posts and a deluge of friends and message requests. But, hey, don’t forget you have full control of your social media account. Like I said in my post: Good luck with that. I don’t [expletive] know you.
Now, I’m enjoying Facebook again.

Thursday, June 1, 2017

Of dubious loyalties

NO you’re not mistaken. I know this day isn’t scheduled for my column but I requested for this space because I have to get this rant off my chest.
Just this week, we carried a story on how Vice Mayor Raineir Joaquin Uy had to cut short a regular session of the city council because they no longer had a quorum.
Uy said councilors Lordan Suan, Leon Gan, and Yan Lam Lim were present at the start of their 42nd regular session on Monday but sneaked out in the middle of the plenary.
The three reportedly gave different reasons for cutting their attendance short. Suan said his stomach ached. Gan said a relative died so he excused himself from the session. Lim said he had to get out of the chamber because his blood pressure shot up.
Three different reasons but, to me, they still have a “common denominator” ? They’re all purples.
What got my goat was they were supposed to tackle timely issues during that session. As the disappointed councilor Bong Lao said, they were supposed to discuss the proposed flood and risk-reduction measures of the city.
I say timely because the government weather agency just declared that it’s now the rainy season. They even said to prepare for at least 14 storms until November. If  storm “Sendong” taught anything it is to prepare for worst.
Our city council has 18 members and 10 members would constitute a simple majority. At the start of the session, six of these “honorables” were absent.
Had these numbnuts stayed, the council still would have had a quorum and passed important resolutions.
Uy had no choice but to declare an end to the session because “since there were only nine left, anything that the city council approves can be legally questioned.”
These councilors should realize that their boss after the 2016 elections are the Kagay-anons and not that aging thing in Sta. Cecilia.
If Suan and Lim had a delicate constitution that day, they should have taken medicine for it. Hasn’t Suan heard of Diatabs, for chrissakes?! Newsflash, councilor, that’s what your JO is for! You could have just messaged that worker-relative of yours for medicine. Besides, don’t they realize the office of CDRRMC is directly below the plenary hall? That office is ready 24/7.
As for Gan, let’s just hope most of his relatives to the fourth degree of consanguinity and affinity are healthy because, god forbid, he couldn’t attend sessions anymore.
You ran for office, gardemet! Do your part and serve the people who voted you in office and don’t be such a baby.